Showing posts with label dawson's creek. Show all posts
Showing posts with label dawson's creek. Show all posts

12.17.2007

DC Fridays Part 4: Notable Guest Stars



I know, I'm super lame and it's Monday. Things have been nuts.

As I made my way through the 6 seasons of DC, there were tons of guest stars I was shocked to see—including Tony Hale (Buster from Arrested Development) as a doctor in season 4, Ken Marino (Vinnie van Lowe from Veronica Mars) as a teacher Joey almost has an affair with in season 5, Seth Rogen as a slacker in season 6—the list goes on and on. When you glance over the partial list below, you will notice certain titles keep popping up—in particular Buffy, Six Feet Under, Twin Peaks, and various Judd Apatow-related projects.

Now, is this because there are a limited number of bit players in Hollywood, or does this somehow make DC cooler? I vote that it makes it cooler!

Busy Phillips (Freaks & Geeks, Undeclared)
Seth Rogen (Freaks & Geeks, Undeclared)
Monica Keena (Undeclared)
Bianca Lawson (Buffy)
Mercedes McNab (Buffy)
Jason Behr (Roswell, Buffy)
Eric Balfour (Six Feet Under, 24, The OC, Buffy)
Jeremy Sisto (Six Feet Under)
Hal Ozsan (Six Feet Under, Felicity, Roswell)
Scott Foley (Felicity, Scrubs, Sweet Valley High)
Ray Wise (Twin Peaks, Reaper)
Mädchen Amick (Twin Peaks)
Dana Ashbrook (Twin Peaks)
Sherilyn Fenn (Twin Peaks)
Jennifer Morrison (House)
Tony Hale (Arrested Development)
Taylor Handley (The OC, Hidden Palms)
Jensen Ackles (Supernatural)
Chad Michael Murray (One Tree Hill)
Ali Larter (Heroes)
Ken Marino (Veronica Mars, Wet Hot American Summer)
Michael Pitt (Hedwig and the Angry Inch, The Dreamers)
Mika Boorem (Blue Crush)
Julie Bowen (Lost)
Jonathan Lipnicki (Jerry Maguire)
Brittany Daniel (Sweet Valley High)
Mimi Rogers (X Files)
Oliver Hudson (Rules of Engagement)
Jack Osbourne (The Osbournes)
Andy Griffith (The Andy Griffith Show)
Rachel Leigh Cook (Las Vegas, Babysitters Club, She’s All That)
Paul Gleason (Breakfast Club)
Harry Shearer (This Is Spinal Tap, A Mighty Wind)
Virginia Madsen (A Prairie Home Companion)
No Doubt (duh)

12.07.2007

DC Fridays Part 3: Dawson vs. Pacey

Dawson/Pacey/Joey comprise a very traditional love triangle—and their angst goes on far, far too long—and yet somehow the show manages to keep viewers interested to the end. DC devotees are particularly fanatical about the Dawson vs. Pacey debate, and will passionately defend their choice even today. Here’s a refresher:

Seasons 1–2
Joey loves Dawson, but t
hey are just friends. Finally, he sees her in a new light and they kiss. But then Joey needs to “find herself” because her life is tied up too tightly with Dawson’s. Her father is released from prison, but Dawson discovers he’s dealing cocaine. Dawson convinces Joey to wear a wire and get a confession from her father, but afterward she feels terrible and tells Dawson she doesn't want to know him anymore.

Season 3—4
Joey tries to rekindle her romance with Dawson, but he rejects her and asks Pacey to “watch out for her.” After tons of building sexual tension, Pacey and Joey begin dating in secret. When the relationship is accidentally revealed, Dawson is so angry that Joey dumps Pacey in order to make amends. But, after seeing how miserable she is, Dawson realizes he’s being a dick and Joey finally tells Pacey she’s in love with him. However, Joey & Pacey’s relationship begins to suffer when Joey is admitted to a prestigious
college in Boston. Pacey, with neither the grades nor the money to attend school, decides he is holding Joey back. After the couple has sex for the first time, Joey lies to Dawson about it…and then agrees to let him pay her college tuition. An increasingly insecure Pacey publicly dumps Joey in the middle of senior prom, and Joey ends up kissing Dawson three episodes later.

Seasons 5—6
As Dawson leaves for film school, he confesses to Joey that he wants to be with her. She rejects him (get used to it, folks) but then rushes to the airport to declare her love. Dawson is tempted to stay but she convinces him that film is his destiny. After a summer of not speaking, Joey and Dawson have sex for the first time. The next day, she finds out he has a girlfriend. Joey says goodbye to Dawson once again. Then, afte
r her boyfriend Eddie leaves for school in California, Pacey admits that he still loves her. The two briefly rekindle their romance, but she dumps him when Eddie returns to town.

Series Finale
The final two episodes are set 5 years in the future, where Joey freaks out after accidentally finding an engagement ring hidden by her live-in boyfriend. Realizing she doesn’t want to marry him, Joey finally chooses: although Dawson is her soul mate, she is meant to be with Pacey.

Of all the boys Joey dates, Dawson is probably her worst choice. Ironically, he is the only one who doesn’t suffer from the insecurity of believing he’s not good enough for her. Although the show’s ending was quitecontroversial, with fans coming down equally in favor of either Dawson or Pacey, I felt from the beginning that Dawson and Joey were not meant to be together in a romantic sense. When it came to romance, all they ever did was make one another miserable. Dawson and Joey existed in a bizarre limbo between the perfect childhood friendship they remembered, and the perfect adult romance they were never intended to have. When the romance inevitably failed, it cast a pall over their entire lives, and yet they both seemed bound & determined to force their futures to mirror their pasts even though they knew perfectly well what they were doing was wrong. To my delight, the first episode of the final season gives us a perfect snapshot moment that sums up Dawson & Joey’s entire mess of a relationship:

D: Do you think it would’ve worked out between us if things had been different?

J: I don’t know. They never are, are they?

Pacey and Joey, on the other hand, were clearly meant for each other. Both were scrappy, sarcastic, and vulnerable in similar ways. Both had highly dysfunctional families and trust issues. Both were forced into self-sufficiency at a young age, and were driven to take care of themselves. In their respective relationships with Joey, Dawson focused on abstract ideas of love, on semantics, and on himself. Pacey focused on Joey. Dawson and Joey were forever bogged down by their past, unable to move beyond it. Pacey and Joey were all about the future, challenging each other to grow up and move forward. Here's a scene from the finale:

P: I've never really put much faith in all that “if you love someone, set them free” crap, as evidenced by everything I've done in my life up to this very moment, but I am determined to be happy…And I love you. I mean, I have always, always loved you…but I also want for you to be happy…I want you to be with someone who can be a part of the life that you want for yourself. I want you to be with someone who makes you feel like I feel when I'm with you. So, I guess the point to this long run-on sentence that's been the last 10 years of our lives is just that the simple act of being in love with you is enough for me. So you're off the hook.

J: For the record, I don't want to be let off the hook. Everything I've done in my life has led me here, right now, and the last thing I want, need, or deserve is to be let off somebody's hook… I love you. You know that. And it's very real. It's so real that it's kept me moving—mostly running—from it, never ready for it…I can't be let off the hook because I just might get the notion that it's ok to keep running.

Related: A highly entertaining treatise on the similarities between Pacey/Joey and Logan/Veronica.

11.30.2007

DC Fridays Part 2: The Parents of Dawson's Creek


One of the most intriguing things about DC is its depiction of parents. When the show first aired, it was criticized in part for its unrelentingly harsh portrayal of adults. The Parents Television Council proclaimed the show the single worst program of the 1997–1998 season. Reviewers described the teens of DC as “out of touch with the adult world,” with Salon.com quipping, “parents and other authority figures are absent, distracted, or virulently disapproving.”

I just assumed Kevin Williamson didn’t have the greatest relationship with his own parents.

When you really think about it, it is shocking just how awful the parents of Dawson’s Creek are. With a few exceptions, they’re all pretty crappy, even if they don’t mean to be. Was DC the first show to portray deadbeat dads, verbally abusive moms, and uncaring families? No. Was it the first to do it so sweepingly? I have no idea, but I’d be willing to bet that it was at least one of the first. Admittedly, most of the parents attempt to make some type of amends, and by the end of the show you don’t hate most of them quite so much. But, the parental role on DC seems to function mainly as an explanation for why these kids are so damaged.

Pacey’s father is verbally and physically abusive, while his mother is also verbally abusive. He is constantly being told that he’s worthless. He moves out of the house at 17, his parents could care less, and you rarely see them again.

Joey’s father is a criminal, in prison for drug trafficking. When he finally gets out, he starts dealing cocaine and goes right back to jail. He is overly critical of Joey’s life, especially the men she dates. Her mother is depicted as a saint, but she died when Joey was very young.

Jen’s father is an adulterous alcoholic, and her mother is a self-numbing addict. When Jen acts out as a teenager, her parents don’t feel like dealing with her, so they send her to live with her grandmother. As the years pass, Jen’s mother makes only one attempt to contact her daughter, and understandably it does not go well.

Jack’s mother, MIA through most of the show, has a mental condition that she developed after his older brother dies. His father refuses to accept his homosexuality, to the point that Jack is forced to move out of the house.

Dawson has the most “together” parents, though that’s not saying much. His parents have a ton of problems with each other, and that certainly fucks him up a bit, but unlike the other parents they don’t have problems with him.

And even the secondary characters have parent issues! When Audrey's mother visits, she calls her daughter a "California blonde" and says she's embarrassed to be her mother. Joey’s boyfriend Eddie admits that he doesn’t want her to meet his family because his parents will tell him he’s not good enough for her. And this type of thing crops up again, and again, and again.

What are your thoughts on the parents of Dawson’s Creek? Share with us in the comments!

11.23.2007

And just like that, you’re fifteen again.



Last Christmas I went through a bout of re-watching Dawson’s Creek , and it has since become one of my favorite shows. This all came about because Target was having a sale on Season One, and then every time I went back to Target, more seasons were on sale. I bought all 6 for about $15 each, and sold a few on Amazon (for more than I paid, score!) but I kept Seasons Three (the lead-up to Pacey & Joey getting together), Four (Pacey & Joey are together), and Six (the final season).

DC aired from January 1998 through May 2003 on the WB. The show is vaguely autobiographical, based on the life of creator Kevin Williamson. DC made stars of its unknown lead actors and was a flagship show for the network. According to a Wikipedia article:

“Dawson's Creek generated a high amount of publicity before its debut, with several television critics and watchdog groups expressing concerns about its anticipated ‘racy’ plots and dialogue; the controversy even drove one of the original production companies away from the project, but numerous critics praised it for its realism and intelligent dialogue that included allusions to American television icons such as The Dick Van Dyke Show and The Mary Tyler Moore Show. By the end of its run, the show, its crew, and its young cast had been nominated for numerous awards, winning four of them. The series is known for the verbosity and complexity of the dialogue between its teenaged characters—who commonly demonstrate vocabulary and cultural awareness that went beyond the scope of the average high school student, yet that is combined with an emotional immaturity and self-absorption reflecting actual teens. This precociousness has been a staple of a number of teenaged-themed shows since, notably including Gilmore Girls and The O.C.

When I first started to re-watch the show, I was happy to see it again mostly to relive a particular time in my life. I first began watching DC in high school but, like many other things in my life, it was lost to me once I entered college at a beautiful but remote institution in the middle of Ohio, where television reception was spotty at best. When I rekindled our affair at the ripe old age of 27, I certainly did not expect to like the show. Enjoy it, sure, but not actively like it. Imagine my surprise.

And so, in the wake of the WGA strike, we begin SDYW’s five-part Friday series on the magic of Capeside, Massachusetts.

Part One: The Characters
The main reason Dawson’s Creek was so appealing to me, and remains that way all these years later, is the attention paid to character development. All five of DC’s main characters change immensely over the course of six seasons, but — and this is really the key — they are all still completely themselves. The viewer continues to catch glimpses of the characters’ 15-year-old selves well after they have matured into adults. Each character has one severe hangup that they let dictate (often subconsciously) how everything in their lives goes down: Joey's fear of change, Dawson's naivete, Pacey's self-deprecation, Jen's deluded sense of self-awareness, and Jack's homosexuality.



Joey Potter

“Just because I don’t fit into that place you want me to doesn’t mean there’s not a place for me.”

Joey is easily the most complex character in the DC universe. Equally tough and vulnerable, she is from “the wrong side of the tracks.” Her mother dies of cancer when she is young, and her father is in prison for drug trafficking. Her older sister Bessie raises her, and the family is poor, looked down upon by other members of the community, and — for lack of a better word — kind of white trash. Joey has a complicated, co-dependent relationship with her best friend Dawson, which morphs from adoration to love to hate to friendship and hits every high and low point in between.

Over the course of six seasons, Joey goes from a from scared, prudish little girl desperately afraid of growing up to a successful, independent woman who recognizes and is able to deal with her own downfalls. Throughout the show, Joey is terrified of change, so much so that she contributes to her own self-destruction via her refusal to act. Going along with this, she consistently blames others when things do go wrong (as she expected them to, naturally). The queen of the “worst-case scenario,” when Joey misses an exam during her second year of college, her train of thought goes from “missed exam” to “I’ll be kicked out of school” to “I’ve ruined my entire future” in about five minutes. And yet, when we flash forward in the final episode, Joey has made peace with herself and her OCD tendencies in adulthood.

In the finale, we see that Joey moved to Paris after college. In adulthood, she works as an editor at a New York publishing company, and is happily living with her boyfriend until she returns to Capeside for a wedding and realizes she is meant to be with Pacey Witter. In the end, Joey and Dawson are soul mates — meant for each other, certainly, but not meant to be together in a romantic sense.



Dawson Leery

“I guess everyone has someone who challenges them and makes them shoot for something just beyond their reach … you’re with me everywhere I go.”

Dawson Leery is an idealistic, romantic film geek who is determined to spend his life making movies in Hollywood. Of all the characters on DC, he has the most stable family life (more on this in Part 2: The Parents of Dawson’s Creek). Dawson’s main problem is that he bases his life largely around another person, and that person is Joey.

After the first season, when Dawson realizes that he has romantic feelings for his best friend, he never, ever gets over her. He is a whiny, self-righteous brat right up until the moment that he faces death for the first time—the death of Mr. Brooks, a friend & film icon, and the death of Dawson’s father, Mitch. Unlike many shows, the death of Dawson’s father is not wrapped up in just a couple of episodes. After Mitch dies, Dawson drops out of USC film school and moves back to Capeside to help his mother care for his newborn sister, and from this moment on Dawson becomes a man. He does not return to school, and ends up working from the ground up as a PA for a director he had met earlier in the show. The shock of real life in Hollywood cements Dawson's character change. He continues to make mistakes, to be sure, but now he actually takes responsibility for them.

In adulthood, Dawson is the creator/director of a popular teen soap called “The Creek,” which is based upon his own life. In the finale, he and Joey finally gain closure in their relationship, with Dawson telling her that he will always love her. They are beyond romance and beyond friendship, and are true soul mates.



Pacey Witter
“Now all I can do is wait for the other shoe to drop. Wait for you to realize what a big mistake you’ve made. Wait for you to realize that I’m just gonna be a big disappointment.”

Pacey Witter is a charming, roguish slacker. He is a poor student, and his family life is abysmal. His father is an alcoholic and a domestic abuser who both verbally and physically attacks Pacey and his siblings. Pacey is constantly being told that he’s worthless—by his parents, his brother, his teachers, and even by his supposed “best friend” Dawson.

In reality, however, Pacey is probably the most self-aware, mature member of the bunch. From the very first season, when Pacey has an affair with a teacher, he comports himself with style and grace, always taking full responsibility for his actions. However, due to his upbringing, he craves respect from others while not respecting himself, often to his detriment. Pacey is never able to believe that he is “good enough” for any opportunity that might come his way. Like Dawson, Pacey invests much of his being in another person. Like Dawson, this person is Joey. Unlike Dawson, Pacey believes that Joey is far too good for him, and his insecurity ruins their relationship.

After losing everything in a stock market meltdown, Pacey returns to Capeside. In adulthood, he runs a successful restaurant while having an affair with an older woman (i.e. comes full circle from first season). When Joey returns for a wedding, she tells him that they are meant for each other, and he moves to New York to be with her (which is actually kind of lame, but we’ll get into this more in Part 3: Dawson vs. Pacey).



Jen Lindley

“Relationships are just one big sorry after another culminating in a big, final, messy sorry.”

Jen Lindley is a smart, savvy girl with a precocious past of abusing alcohol, drugs, and sex. Unable to handle her, Jen’s parents send her from New York to live with her grandmother in Capeside. Jen is considerably more sophisticated than the rest of the gang, but as a teenager she often fools herself into believing that she “knows it all.” Jen is terrified of trusting others, because when she does she usually gets hurt.

Jen eventually makes peace with herself in college, when the revelation that her grandmother has cancer, a great therapist, and her involvement with a teen help line cause her to realize that she can’t control external forces. In adulthood, Jen is a single mother with a heart condition who ends up dying far too young.



Jack McPhee

“It’s naïve to think that people aren’t gonna be small-minded and bigoted and ignorant and this whole thing isn’t just gonna get worse from here on out.”

Jack McPhee moves to Capeside during second season. He is a shy, clumsy, earnest boy who begins a relationship with Joey but eventually comes out of the closet after much soul-searching. His brother passed away at a young age, his mother went nuts soon after, his father refuses to accept his homosexuality (at first), and his perky, overly driven twin sister also goes nuts (though she bounces back eventually). Jack, left alone, moves in with Jen and Grams, where he is fully accepted and becomes part of their family. In college, Jack goes through small downward spiral of drinking and partying, but he cleans up his act.

Unfortunately, most of Jack’s character deals solely with the fact that he is gay. He has a few non-gay storylines, but mostly it’s him berating himself. He can’t handle having a boyfriend, other gay males he meets are “too gay,” and he refuses to accept himself or others. By the final season, however, Jack has come to terms with himself and his lifestyle. He is comfortable in his own skin.

In adulthood, Jack has returned to Capeside and is a teacher at the high school. He is in a committed relationship with Pacey’s older brother Doug, although Doug is closeted. After Jen dies, Jack and Doug adopt her baby daughter.